Logo
  • Stories
    • Features
      • Books on Food
      • Culture
      • Personal Essay
      • From the Fields
      • The Locavore Champions
      • The Locavore Guides
    • Community
      • Everyday Locavores
      • Kitchen Hand-Me-Downs: An Evolving Collection
      • Food Memories
      • Inside My Kitchen
      • Market Archives
  • Partners
    • Producers
    • The Food Systems Collective
  • Products We Love
    • Baking Ingredients
    • Beverages
    • Dairy
    • Dried Fruits, Nuts & Seeds
    • Ferments and Vinegars
    • Grains and Flours
    • Jams, Preserves, and Spreads
    • Meat, Seafood, and Eggs
    • Natural Sweeteners
    • Oils
    • Pickles and Condiments
    • Pulses and Dals
    • Snacks and Ready-to-Cook
    • Spices, Herbs, and Masalas
    • Sweets and Confections
    • Wild Foods
  • Cooking
    • Recipes
      • Soups
      • Salads
      • Snacks and Appetisers
      • Millet Recipes
      • Breakfast
      • Beverages
      • Main Course
      • Pickles and Chutneys
      • Desserts and Mithai
    • Recipe-led Stories
    • Know Your Desi Ingredients
  • Projects
    • Ongoing Projects
      • Woman Farmer Project (2026)
      • Setting The Table: Stories from India’s Food Cultures
      • Mumbai Koli Project
      • The Tiny Food Project: Alibag
      • Local Food Club
      • ‘Longing for Home Food’ Project
    • Past Projects
      • Feeding the Future Project
      • Serendipity Arts Festival ‘25
      • Millet Revival Project
      • Serendipity Arts Festival
      • Worli Koliwada Project
      • Wild Food Project | Palghar, Maharashtra
      • Freedom From Hunger: A Collaborative Fundraising Project
  • Events
    • Upcoming Events
      • 16 September | Beyond the Plate |
        Dalit Identity through Food: How Art Forms
        Shape Memory, Belonging, and Access
    • Past Events
      • Meetups
      • Beyond the Plate
      • Workshops
      • Experiences
      • Festivals
      • Talks
      • Discovery
      • Chef on the Road
  • Local Food Club
    • Sign up
    • How It Works
    • Our Vision
    • Get Involved
  • About
    • What We Do
    • Meet The Team
    • In The Media
    • Contribute
    • Say Hello
    • Work with Us
    • Newsletter
  • Newsletters
  • Stories
    • Features
      • Books on Food
      • Culture
      • Personal Essay
      • From the Fields
      • The Locavore Champions
      • The Locavore Guides
    • Community
      • Everyday Locavores
      • Kitchen Hand-Me-Downs: An Evolving Collection
      • Food Memories
      • Inside My Kitchen
      • Market Archives
  • Partners
    • Producers
    • The Food Systems Collective
  • Products We Love
    • Baking Ingredients
    • Beverages
    • Dairy
    • Dried Fruits, Nuts & Seeds
    • Ferments and Vinegars
    • Grains and Flours
    • Jams, Preserves, and Spreads
    • Meat, Seafood, and Eggs
    • Natural Sweeteners
    • Oils
    • Pickles and Condiments
    • Pulses and Dals
    • Snacks and Ready-to-Cook
    • Spices, Herbs, and Masalas
    • Sweets and Confections
    • Wild Foods
  • Cooking
    • Recipes
      • Soups
      • Salads
      • Snacks and Appetisers
      • Millet Recipes
      • Breakfast
      • Beverages
      • Main Course
      • Pickles and Chutneys
      • Desserts and Mithai
    • Recipe-led Stories
    • Know Your Desi Ingredients
  • Projects
    • Ongoing Projects
      • Woman Farmer Project (2026)
      • Setting The Table: Stories from India’s Food Cultures
      • Mumbai Koli Project
      • The Tiny Food Project: Alibag
      • Local Food Club
      • ‘Longing for Home Food’ Project
    • Past Projects
      • Feeding the Future Project
      • Serendipity Arts Festival ‘25
      • Millet Revival Project
      • Serendipity Arts Festival
      • Worli Koliwada Project
      • Wild Food Project | Palghar, Maharashtra
      • Freedom From Hunger: A Collaborative Fundraising Project
  • Events
    • Upcoming Events
      • 16 September | Beyond the Plate |
        Dalit Identity through Food: How Art Forms
        Shape Memory, Belonging, and Access
    • Past Events
      • Meetups
      • Beyond the Plate
      • Workshops
      • Experiences
      • Festivals
      • Talks
      • Discovery
      • Chef on the Road
  • Local Food Club
    • Sign up
    • How It Works
    • Our Vision
    • Get Involved
  • About
    • What We Do
    • Meet The Team
    • In The Media
    • Contribute
    • Say Hello
    • Work with Us
    • Newsletter
  • Newsletters

Input your search keywords and press Enter.

January 18, 2023
  • Books on Food

An Excerpt From Sumitra and Anees: Tales and Recipes From A Khichdi Family

  • January 18, 2023
  • Seema Chishti
Anees and Sumitra in Anees’ paternal home in Uttar Pradesh, circa 1975.

When a Hindu from Karnataka and a Muslim from Uttar Pradesh choose to spend their lives together, what do they cook at home? Journalist Seema Chishti’s book is an ode to her parents’ 42-year-old partnership, the mish-mash of North and South at home, and her mother’s diverse culinary traditions.

In the India of today, social and communal fault lines have become starker than ever before. Inter-faith marriages, once seen as the hallmark of a plural society, are now increasingly used to further a divisive political narrative. In Sumitra and Anees, journalist Seema Chishti, herself the product of an inter-faith marriage, tells the story of her parents: Sumitra, a Hindu from Mysore in Karnataka, and Anees, a Muslim from Deoria in Uttar Pradesh.

Read this excerpt from the section on family recipes:

 

My parents were both first-generation migrants to Delhi representing a very important slice of Indian urban life as they set up home in the late 1960s. Sumitra, a working mother, like many of her time, did find herself being in-charge of the kitchen, spending time there, growing a few herbs and ingredients in pots, the curry leaf and mint.

 

Ingredients, too, were different then—the whole turmeric as a root was used more as there was no turmeric powder easily available, coconut milk had to be pressed and extracted from fresh coconuts, and the texture of the masala, hand-ground, was different from what the blender yielded. Pre-mixed batter for idli/dosa was unthinkable and being mindful of fermentation time was routine.

 

It is not without reason that a very important part of Anees, Sumitra and India’s story is told through the food they ate and fed those around them. Home-made meals were when friends and family came together and looked in wonder at the mishmash of north and south, the ‘Hindu’ and the ‘Muslim’, as a bit of India was always brewing in their small home.

 

You can try some of their family recipes from the book—Kadhi, and Fried Mutton (Karnataka style).  

Home-made meals were when friends and family came together and looked in wonder at the mishmash of north and south, the ‘Hindu’ and the ‘Muslim’, as a bit of India was always brewing in their small home.

Sumitra and Anees in a characteristic pose, in their home, 1997. Photos courtesy of Seema Chishti.
Pages from Sumitra's hand-written recipe notes/manuscript which is part of the book. This is a recipe of peas and minced meat.

That is why, this recipe book is an important facet of their story and embodies the Ganga-Jamuni or the tale of confluence that marked the old India, which is fast being demonized today.

 

More generally speaking, food history is serious history and sometimes the best way to tell a larger story. Like the ingredients that make it, food crossed cultural boundaries centuries before the word ‘globalization’ entered our lexicon. Take the example of the samosa. One account of its origin traces it to Central Asia. The crisp triangular patty did not come to India with conquerors, but traders.

 

According to the leading food historian K.T. Achaya, in about 1300 CE, the poet Amir Khusrau, describing the food of the Muslim aristocracy in Delhi, wrote of ‘the samosa prepared from meat, ghee and onion’. About fifty years later, according to Achaya, the famous scholar and explorer Ibn Battuta calls it samusak,describing it as ‘minced meat cooked with almonds, walnuts, pistachios, onions and spices placed inside a thin envelope of wheat and deep fried in ghee’. Over the passage of time, the snack adapted to vegetarian tastes in the subcontinent.

 

Culinary histories often used the term ‘indigenization’ to describe the samosa’s journey in its adopted land. But the word reveals less than it hides. Potato, the pièce de résistance of the Indian samosa, finds mention in food histories of the subcontinent only in the late seventeenth century. Similarly, chaat, another much-loved snack of the country, also traces its origin to the Mughal courts in the seventeenth century. It acquired its favourite ingredient much later.

 

Like several cultural artefacts, the food that we eat is a potpourri of influences. Of course, like histories of the origins of communities or social groups, narratives about the origins of food have contested versions.

 

In the same way that who one marries or talks to or where one lives could be a criminal act (because of new laws on so-called ‘forced conversions’ and restrictions on renting homes to certain communities), food has also become a bitterly contested terrain. What one eats or does not eat is picked at as a differentiator. That is at the heart of new laws around cattle, beef consumption, halal food or mid-day meals too, where politics decides whether eggs will be served to malnourished children.

 

What this politics of food has tried to erase is a consciousness and knowledge of common roots, exchange of ideas and cross-fertilization that made modern food choices possible. Travellers from distant lands brought new ingredients, seeds, vegetables and fruits. These enabled new ways of eating and cooking, with constant borrowing and lending of dishes, ways of cooking, spices or marinating foods nourishing the process.

 

The samosa may not be as home-grown as we like to believe, or the tandoori chicken for that matter. At the same time, things targeted for being ‘foreign’—like Mughlai cuisine sometimes is—are indigenous, having travelled in another form and then having been perfected in the shape and taste we know today, right here—in India, in Mughal times. Both of these are as Indian as they can be.

 

Food, if anything, must remind us of how much we reside in the world outside and how much of the world outside resides in us. Deep, inside our gut.

This is an excerpt from Sumitra and Anees: Tales and Recipes From A Khichdi Family published in 2022 (HarperCollins).

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on WhatsApp (Opens in new window) WhatsApp
  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to print (Opens in new window) Print
Please login to bookmark this page
Seema Chishti

Molestiae error quidem labore ut. Temporibus velit vitae maiores. Voluptatem voluptates ipsam cum iusto ducimus qui.

Previous Article
Projects

Wild Food Project | Palghar, Maharashtra

June 2022 - August 2022
View Post
Next Article
  • Main Course

Kadhi

  • January 19, 2023
  • Seema Chishti
View Post
You May Also Like
‘Sweet Excess: Crafting Mishti in Bengal’ by Ishita Dey was published by Routledge in 2026. Cover art by Sonali Chitrakar. Photo courtesy of Routledge.
View Post
  • Books on Food

This Ethnography Highlights the People and Skill Behind Bengal’s Mishti

  • Ishita Dey
  • July 4, 2026
View Post
  • Recipes
  • Books on Food
  • Pickles and Chutneys

Chaapda Chutney

  • Budhram
  • July 3, 2026
View Post
  • Pickles and Chutneys
  • Books on Food
  • Recipes

Tangthur

  • Nilza Wangmo
  • July 3, 2026
Chutney: A Compendium of Stories and Recipes (2025), comprises 230-plus chutneys, covering nearly every state and major culinary tradition in India. All photos courtesy of Rushina Munshaw-Ghildiyal.
View Post
  • Books on Food

Rushina Munshaw-Ghildiyal on why chutney in India goes beyond one singular condiment

  • Ishani Banerjee
  • July 3, 2026
The dhuasang above the clay-stove, or where the rice beer cakes are dried on rainy days in a Deori household. All photos by Rini Barman.
View Post
  • Books on Food
  • Stories

Hands That Brew: The Complexities of Female Labour in the Making of Rice Beer

  • Rini Barman
  • May 26, 2026
View Post
  • Books on Food

Anumeha Yadav’s picture book asks—‘what are we doing to our rich food diversity, our seeds?’

  • Deepshika Pasupunuri
  • March 24, 2026
View Post
  • Beverages
  • Books on Food
  • Recipes

Desi Rice Made the Most Wonderful Bhaat Nu Osaman

  • Sheetal Bhatt
  • November 7, 2025
View Post
  • Main Course
  • Books on Food
  • Recipes

Gunda Na Mor Ni Kadhi Is Only Made During the Brief Springtime

  • Sheetal Bhatt
  • November 6, 2025
Logo

The Locavore is a platform committed to creating enduring impact through food.

Instagram Facebook LinkedIn X Youtube
  • About
  • In The Media
  • Work With Us
  • Contact
  • Newsletters
  • Contribute